Generation Z has swiped away the old illusion-based structure of society and moves through a city whose surfaces simultaneously reflect desire, labour and visibility. »To serve« becomes an invitation to perform and to consider the cost of becoming visible. In the social choreographies of the film, femme bodies perform a Delulu script, glowing through the urban canyons of New York that reveals itself as a bygone hypercapitalist fiction. Yet they still invent their own grammar of desire.